All Piero della Francesca Oil Paintings


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Piero della Francesca Adoration of the Holy Wood and the Meeting of Solomon and Queen of Sheba oil painting


Adoration of the Holy Wood and the Meeting of Solomon and Queen of Sheba
Painting ID::  9992
Artist: Piero della Francesca
Painting: Adoration of the Holy Wood and the Meeting of Solomon and Queen of Sheba
Introduction: c.1452; Fresco, San Francesco, Arezzo
   
   
     

 

 

 

 

 

 

 

Piero della Francesca Portrait of Sigismondo Malatesta (mk05) oil painting


Portrait of Sigismondo Malatesta (mk05)
Painting ID::  20028
Artist: Piero della Francesca
Painting: Portrait of Sigismondo Malatesta (mk05)
Introduction: Wood,17 1/4 x 13 1/2''(44 x 34 cm)Entered the Louvre in 1978
   
   
     

 

 

 

 

 

 

 

Piero della Francesca Senigallia Madonna (mk08) oil painting


Senigallia Madonna (mk08)
Painting ID::  21193
Artist: Piero della Francesca
Painting: Senigallia Madonna (mk08)
Introduction: c.,1460-1475 Tempera on wood 61x53.5cm Urbino,Galleria Nazionale
   
   
     

 

 

 

 

 

 

 

Piero della Francesca The Baptism of Christ (mk08) oil painting


The Baptism of Christ (mk08)
Painting ID::  21212
Artist: Piero della Francesca
Painting: The Baptism of Christ (mk08)
Introduction: C.1440-1450 Tempera on wood 168x116cm London ,National Gallery
   
   
     

 

 

 

 

 

 

 

Piero della Francesca Double portrait fo Federigo da Montefeltro (mk08) oil painting


Double portrait fo Federigo da Montefeltro (mk08)
Painting ID::  21213
Artist: Piero della Francesca
Painting: Double portrait fo Federigo da Montefeltro (mk08)
Introduction: c.1470 Tempera on panel, 47x33cm Florence,Galleria degli Uffizi
   
   
     

 

 

 

 

 

 

 


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     Check All Piero della Francesca's Paintings Here!
     Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant. . Related Artists to Piero della Francesca : | FERRETTI, Giovanni Domenico | COXCIE, Michiel van | CHARONTON, Enguerrand | Isaak Soreau | threshing wheat |

 

 

 

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